Fidelity nettside ikke fungerer Er det nede akkurat nå USA Midter Cox Communications Jeg kunne ikke nå tid ved nasjonal telefon selv. Jeg måtte ringe den lokale grenen og overføre til bedriftens. Alle deres nasjonale tall og nettsted er nede og under reparasjon. Ingen av de nasjonale tallene, nettsiden eller kontoene er tilgjengelige. De sa at de jobber med det. Jeg avbrutt alle mine åpne bestillinger til de fikser det. Du må nå dem gjennom ditt lokale nummer og deretter trykke 9 for nasjonalt. United States middot Comcast Cable Ikke noe problem - lukket nettleser og gjenåpnet og kan nå logge inn. USAs middot Comcast Cable Fidelity ser ut til å være nede i det minste for de siste par timene. Når du klikker for å logge inn på følgende visninger, vises Nigeria middot Swift Networks Limited Hoveddelen fungerer, men nettbanken er nede USAs mellomstore Fairpoint Communications prøver å logge på Fidelity NetBenefits i 2 uker, jeg får internetteksperter som ikke fungerer, hva skjer med den Curt Braun midtpunktet 31 august 2012 - 08:31 United States Midget Alternate Access Research, Quotes (detaljerte), Kundeservice e-post og inst messaging ned mest tredjeparts tilgang NA Curt Braun middot 31 august 2012 - 08:25 United States middot Alternativ tilgang Siden er useless for mine behov. Jeg trenger å gjøre forskning og komme ingen steder. Hopping over til Yahoo for å finne informasjon er en ekte smerte. Send inn en kommentar ved hjelp av ditt Facebook-ID. Er Fidelity nede for deg akkurat nå Send inn dine kommentarer om Fidelity service status eller rapporter et problem nedenfor for å la andre vite at de arent de eneste som har problemer. Vær oppmerksom på at ditt land, tjenesteleverandør og nettleserinformasjon vil vises ved siden av kommentaren din for å bedre analysere en mulig feil. 10004 Takk Ikke glem å bokmerke denne siden slik at du kan sjekke tilbake senere. For vår 2017 Stock Broker Review vurderte vi, rangert og rangert 16 forskjellige nettbaserte meglere over en periode på seks måneder. I alt gjennomførte vi 349 kundeservicetester, samlet 5,277 datapunkter og produsert over 40.000 ord av forskning. Lære mer . Å kutte til jakten: Scottrade lever opp til sin reklame. Selskapet definerer hva et megler-klientforhold skal være, og tilbyr alt fra å åpne en konto for å handle eller motta faglig veiledning. Og dette tilbudet er en grei og hyggelig opplevelse. Da jeg åpnet en ny konto for å gjennomføre Scottrade-anmeldelsen, visste jeg at Scottrade hadde tøff konkurranse, og jeg var nysgjerrig på å se hvor bra megleren ville utføre. Søknaden var en bris da jeg fyllde i informasjon og benyttet seg av live chat assistansen. Innen flere timer etter at jeg fullførte søknaden min, ringte en Scottrade-representant fra mitt lokale avdelingskontor meg, ønsket meg velkommen til megleren, la meg vite hvor de befinner seg, og spør om jeg hadde spørsmål. Umiddelbart følte jeg at jeg var i gode hender og kunne ikke hjelpe, men tror Scottrade skulle bli min nye beste venn. Provisjonsgebyrer Sammenlignet med andre fullservice-meglerhus, er Scottrade for det meste billigere. Vanlig aksjehandel koster 7 sammenlignet med nærmeste priskonkurrent, Fidelity, som koster 7,95 per handel. Charles Schwab er nærmest nærmest med sin 8.95 handler. Alle handler opererer under en flatavgift struktur, noe som betyr at det ikke er gimmicks eller trickery. Prissetting er enkel og enkel med mindre du handler aksjer mindre enn 1 per aksje, for hvilken kostnaden er 7, pluss .5 av handelsverdien. I 2016 reduserte Scottrade prisen på opsjonshandler fra 7 1,25 per kontrakt til 7,70 per kontrakt. Dette gjør Scottrade billigere enn nesten alle sine direkte konkurrenter. Merk skjønt, Scottrade støtter kun single-legged opsjonshandler på sin nettside, og ELITE-plattformen med multi-legged opsjoner støttes ikke. Til slutt tilbyr Scottrade et enormt utvalg av verdipapirfond, nær 14.000, slik at du ikke har noen problemer med å finne noe som passer til din porteføljesammensetning. Fondforretninger koster kun 17 hver, den laveste blant Scottrades-konkurrenter. For de som foretrekker ETFs over verdipapirfond, kan Scottrade skuffe da det ikke har et utvalg av provisjonsfrie ETFer. Hvis provisjonsfri ETF er din ting, så vurder Charles Schwab, ETRADE eller TD Ameritrade, da hver megler tilbyr mer enn 100 av dem. Kundeservice Scottrade, som har vunnet vår tittel for Best Overall Client Experience fra 2012-2017, tilbyr den mest personlige kundeservice ut av noen av de fullstendige meglerne Ive testet. Og vurderer konkurransen, dette er ingen liten prestasjon. Jeg fant Scottrade å være den eneste megleren som helt lener seg på sitt lokale kontorkontor. Å ringe støttetelefonnummeret på Scottrade-nettsiden i løpet av markedstiden utløser et spørsmål om postnummeret ditt, og omdirigerer deg automatisk til ditt lokale avdelingskontor. Innen noen få ringer snakket jeg med en rep fra mitt lokale avdelingskontor. Ikke bare kjente han Scottrade nettsiden som han hadde, men han hadde ingen problemer med å svare på mine spørsmål om min nye konto og nettside. Innen noen få ringer snakket jeg med en rep fra mitt lokale avdelingskontor. Ikke bare kjente han Scottrade nettsiden som han hadde, men han hadde ingen problemer med å svare på mine spørsmål om min nye konto og nettside. Scottrades nettverk har 503 lokale avdelingskontorer i USA, og alle opererer i standard markeds tid: 8:30 til 5:00 Mandag til fredag. Den eneste ulempen ved Scottrades telefonstøtte er at den ikke er 247, i motsetning til TD Ameritrade, ETRADE, Fidelity og Charles Schwab, som alle tilbyr telefonstøtte hver dag, helst. Videre kan kvaliteten på støtten variere avhengig av personalet på ditt lokale avdelingskontor. Når det er sagt, er den gode nyheten at Scottrades telefonstøtte i 2017 var utmerket, og plasserte tredjedel av 16 meglere. Telefonstøtte til side, skiller Scottrade seg også for sin e-postsupport og plasserer midt i pakken for live chat. I 2017 ble Scottrade femte for e-poststøtte og syvende for live chat-støtte. Samlet sett avsluttet Scottrade 3 for kundeservice i 2017 bak bare TD Ameritrade og Merrill Edge, en fantastisk finish. Scottrades forskningstilbud er grundig og dekker de store basene godt, inkludert grunnleggende data om innsidere, inntjening, økonomi, SEC-arkivering og mer. Sammenlignet med konkurrentene, er tredjepartsforskning et område der Scottrade faller bak, men ikke for mye. Å trekke opp et tilbud på Apple (AAPL) tilbød meg rapporter fra tre tredjepartsleverandører: Standard Poors, Thomson Reuters og Market Edge. Selv om dette vil mer enn tilfredsstille de fleste investorer, kan det hende at kresne klienter fortsatt er etterlengtede mer (Fidelity, Charles Schwab og TD Ameritrade tilbyr alt minst seks). Navigering gjennom forskningsområdet, som resten av Scottrade-nettstedet, var rent og greit takket være den splitter nye nettsiden som ble lansert i juni 2016. Den nye nettsiden har et fint, rent design, fjerner den gamle venstre sidebar og setter Hovednavigering i fokus. Handler kan plasseres fra hvilken som helst side eller nettside ved å poppe ut handlekurven i bunnteksten. Fokusere på forskningsseksjonen, om jeg tok opp et sitat eller så på et lagerdiagram, og deretter leser en analytikerepport, hadde jeg ikke noe problem å finne veien rundt. En funksjon jeg virkelig likte, som er eksklusiv for Scottrade-klienter, var Scottrade SmartText-funksjonaliteten. SmartText analyse er tilgjengelig for diagrammer, sektorer og næringer, og inntjening. Med diagrammer, for eksempel, vil Scottrade SmartText raskt analysere noen indikator du legger til og gi deg en lett forståelig forklaring på hva den indikatoren innebærer for bestanden du undersøker. For eksempel ga SmartText meg denne sammenbrudd for Googles 13-dagers glidende gjennomsnitt. På tirsdag stengte GOOG under 13-dagers glidende gjennomsnitt. Dette anses generelt for å være en indikasjon på en bearish trend. Investorer pass opp, men som alle tekniske analyser, bør SmartTexts algoritmiske analyser ikke være det eneste datapunktet som brukes til å ta en kjøps - eller salgsavgjørelse. Scottrades forskning er også grundig for verdipapirfond. Med forskning levert av Morningstar, min personlige leverandør valg for verdipapirforskning, skuffer ikke Scottrade. Umiddelbart etter å ha tatt et sitat for Vanguards Total Stock Market Index Fund (VTSMX), oppstod et diagram som viser fondets resultater i det siste tiåret sammenlignet med mellomliggende obligasjoner og SP 500. Jeg leser deretter en oppsummering av fondsstrategien, tok en titt på Morningstar-kategoriene, og analyserte fondutgiftene for å hjelpe meg med å bestemme om jeg skal kjøpe eller ikke. I 2015 brukte Scottrade tid på å forbedre sine screenere, utvide antall forhåndsdefinerte skjermer (fra to til 11 for ETF og to til 10 for gjensidig fond). Skjermene er laget hovedsakelig i huset, og det var forfriskende å se mer variasjon. Scottrade har også lagt til et nytt visualiseringsverktøy, slik at du kan se hvordan hvert skjermresultat flyter gjennom dine forhåndsdefinerte filtre. Verktøyet var et produkt av Scottrades Launching Pad, et område av nettstedet som er utpekt til kreativ eksperimentering og direkte klient tilbakemelding. Jeg fant verktøyet interessant, men jeg tror ikke det gjorde screeningen mer effektiv. Ser på forskning samlet, er Scottrades tilbyr imponerende og vil tilfredsstille de fleste investorer. Når det er sagt, sammenlignet med sine nærmeste konkurrenter, faller Scottrade bak på bestemte områder som tredjepartsrapporter og interne kommentaranalyser, for å nevne to. Det er flott, men ikke helt prisvinnende. Se: Beste meglere for forskning. Plattformer Verktøy Scottrade tilbyr to plattformer: Scottrader Streaming Quotes og Scottrade ELITE. Scottrade ELITE krever at klienter har minst 25 000 på sin konto før de får tilgang. Takket være 2016-webdesignet, umiddelbart etter innlogging, vil kundene finne en rask kobling til Scottrader Streaming Quotes rett i toppteksten, en fin touch. Scottrader Streaming Quotes er et Java-basert program som lastes gjennom skrivebordet og er enkelt å konfigurere. Med enkle knapper for å åpne nye vinduer og tre tilpassbare oppsett, fant jeg applikasjonsfunksjonaliteten til å være enkel. Hver overvåkningsliste er dra-og-slipp-vennlig og kan ha opptil 40 verdipapirer. Takket være 2016-webdesignet, umiddelbart etter innlogging, vil kundene finne en rask kobling til Scottrader Streaming Quotes rett i toppteksten, en fin touch. En samling med Scottrader Streaming Quotes-applikasjonen er at det ikke finnes noen snap-vindufunksjonalitet, slik at det er litt kjedelig å tilpasse eventuelle åpne vinduer (handelskort, diagrammer, toppvinne, tid og salgskasse, etc.) for å passe inn i et rutenett. Min eneste andre kritikk ville være at skjermvinduet ikke viser markedsindeksen i store tall på toppen. I stedet er de små gjenstander nederst og inkluderer ikke prosentvis avkastning for dagen. Pickiness til side, Scottrade Streaming Quotes får jobben gjort og er en enkel seier for uformelle investorer. Scottrades avanserte plattform, Scottrade ELITE, er en desktop-basert plattform designet for aktive handelsfolk som søker avansert funksjonalitet utover hva Scottrader Streaming Quotes tilbyr. I likhet med Scottrader Streaming Quotes er plattformen for det meste lett å bruke. Funksjonalitet er også utbredt, men ELITE sporer konkurransen på grunn av mangel på dybde. Fokus på brukervennlighet først, Scottrade ELITE-vinduer er merket med rene, klare ikoner som gjør tweaking innstillinger en bris. I 2016 brukte Scottrade betydelig tid på å rydde opp den overordnede designen og lanserte tre forskjellige fargeskjemaer: klassisk mørk, lys og svart / hvitt. Jeg foretrekker den klassiske mørke designen. Også i 2016 ble brukervennligheten forbedret ytterligere ved å legge til en ny oppsettlinje i overskriften slik at brukerne raskt kan bytte mellom layouter. Videre, mens subtilere, redesignet Scottrade ELITE sitt tredjeparts datatjenestehåndteringsvindu. Ved å se på verktøy ble kartleggingen forbedret i 2016 med tillegg av en håndfull nye tekniske indikatorer, blant annet Ichimoku Cloud, Dividend Indicator, Earnings Indicator og Volume on Price. Totalt er 67 studier tilgjengelig, som samtidig beundringsverdig, faller fortsatt godt under dagens industristandard på 106. Til slutt inneholder kartlegging nå også hva Scottrade kaller Beregnede symboler, som kan brukes til å produsere en rekke tilpassede visninger som å analysere en par handel, for eksempel. Nye funksjoner til side, Scottrade ELITE er imponerende, men det sporer bak sin andre full-service megler konkurrenter og kategoriledere. Samlet dybde er hvor plattformen virkelig lider. Funksjoner som for eksempel avanserte varsler, visning av varsler på diagrammer, visning av historiske handler på diagrammer, streaming av TV, overvåkningsliste sanntidsfiltrering og avanserte mulige sannsynlighetsanalyser er ikke til stede. Se: Beste meglere for plattformverktøy. Andre notater TD Ameritrade leder bransjen i flere kategorier og er en stor forelder for Scottrade. Som Scottrade-klient er jeg spent på fremtiden. I oktober 2016 ble det annonsert at Scottrade ble kjøpt opp av TD Ameritrade for 4 milliarder kroner. Scottrade og TD Ameritrade kombinert vil inneholde en svimlende 10 millioner kunder. På det tidspunktet denne anmeldelsen gikk til å trykke i februar 2017, var det fortsatt for tidlig å vite hvordan Scottrade ville bli integrert. Scottrade-klienter kan imidlertid forvente noen fantastiske endringer de neste årene. TD Ameritrade leder bransjen i flere kategorier og er en stor forelder for Scottrade. Som Scottrade-klient er jeg spent på fremtiden. I 2013 introduserte Scottrade et bransjens første FRIP (Flexible Reinvestment Program). En FRIP ligner et DRIP (Dividend Reinvestment Program), bortsett fra at investorer kan tilpasse hvordan utbyttet blir brukt. Reinvesterbare utbytte kan brukes til å kjøpe aksjer i opptil fem kvalifiserte verdipapirer (unntatt inkluderer OTCBB-aksjer). FRIP er en bransje først, og klientene jeg snakket med, elsker det. Selv i 2017 er FRIP et eksklusivt Scottrade-verktøy. I april 2015 skilt Scottrade og OptionsHouse veier, og endte Scottrade OptionsFirst-programmet. I stedet ble Scottrade Pro, et felles initiativ med Interactive Brokers, annonsert. I et nøtteskall tilbyr Scottrade nå en hvit-merket versjon av en Interactive Brokers-plattform med rabatterte opsjonskvoter. Jeg sier nedskrevet fordi mens de er billigere enn Scottrades basispriser, er du langt bedre bare å åpne en konto hos Interactive Brokers direkte. Se vår liste over anbefalte meglere for opsjonshandel. Avsluttende tanker Scottrade, med sitt nettverk av mer enn 500 avdelinger og fantastisk kundesupport, tilbyr kunder et stort utvalg av investeringer og kvalitetsforskning for å utdanne investeringsbeslutninger. Mens megleren sporer sine nærmeste konkurrenter i flere kategorier, for eksempel Platform Tools og Mobile Trading, er provisjonsrenten billigere samlet, og det nye nettsteddesignet lansert i 2016 tjener som et annet eksempel på en ren, organisert, brukervennlig opplevelse. Vurdert av Blain Reinkensmeyer Blain leder forskning på StockBrokers og har vært involvert i markedene siden han plasserte sin første aksjehandel tilbake i 2001. Han utviklet StockBrokerss årsoversikt format for syv år siden, som respekteres av meglerledere som den mest grundige i bransjen. For tiden opprettholder finansierte kontoer med mer enn et dusin forskjellige amerikanske regulerte nettbaserte meglere, utførte han tusenvis av handler gjennom sin karriere og liker å dele sine erfaringer gjennom sin personlige blogg, StockTrader. Evalueringer Totalt Velg en eller flere av disse meglerne å sammenligne mot Scottrade. Alle prisdata ble hentet fra et publisert nettsted fra 2202017 og antas å være nøyaktig, men er ikke garantert. StockBrokers ansatte jobber kontinuerlig med sine online meglerrepresentanter for å få de nyeste prisdataene. Hvis du mener at dataene som er oppført ovenfor, er unøyaktige, kan du kontakte oss ved å bruke linken nederst på denne siden. For aksjekurs, er annonsert prissetting for en ordinær ordrestørrelse på 500 aksjer på aksjer prissatt til 30 per aksje. For opsjonsordre kan en opsjonsregulativ avgift per kontrakt gjelde. arrowdropup Tilbake til toppen Ansvarsfraskrivelse. Det er vårt organisasjons primære oppdrag å gi vurderinger, kommentarer og analyser som er objektive og objektive. Mens StockBrokers har alle data verifisert av bransjens deltakere, kan det variere fra tid til annen. Fungerer som en Internett-bedrift, kan dette nettstedet kompenseres gjennom tredjepartsannonsører. Våre kvitteringer for slik kompensasjon skal ikke tolkes som en anbefaling eller anbefaling fra StockBrokers, og det skal heller ikke forstyrre våre vurderinger, analyser og meninger. Vennligst se våre generelle ansvarsfraskrivelser for mer informasjon. Reink Media Group LLC. Alle rettigheter reservert. Fri frakt på alle innenlandske bestillinger Over 49,99 Gratis frakt på innenlandske bestillinger vil bli sendt i form av USPS Media Mail. Enhver innenlands rekkefølge innen det kontinentale USA som inneholder lydmaskinvare, blir automatisk oppgradert for å sendes via UPS Ground gratis, med mindre det er valgt en fremskyndet tjeneste allerede. USPS Media Mail Denne fraktmetoden er en tjeneste fra USPS som kan ta opptil 14 postdager å levere, selv om gjennomsnittlig leveringsperiode er 2-8 dager. UPS Ground På en hvilken som helst innenlands rekkefølge innen det kontinentale USA som inneholder lydutstyr, vil vi fremskynde din gratis fraktmetode til UPS Ground. Denne tjenesten leveres kun innen 1-6 virkedager fra mandag til fredag. Ingen UPS-levering er tilgjengelig på lørdag eller søndag. Tilgjengelighet Mobile Fidelity MoFi Record Vinyl Records Paradise Lunsj (Pre-Order) Desert Island-Verdt Paradis og Lunsj vil forny din tro på musikk: Diverse 1974 Ry Cooder Set kommer på som en hemmelig historie av sang, inneholder utsøkt samspill og inspirerende harmonier Paradise og Lunsj Mastered på 180g Vinyl fra Original Master Tapes, Presset på RTI, og strengt begrenset til 3000 nummererte kopier: Mobile Fidelity LP Graced With Organic Sound Ry Cooders eksepsjonell Paradise og lunsj tar en populær precept musikk som fellesnevner på tvers av alle språk og stiler. til ekstremer få kunstnere har forestilt seg foruten å bli oppfylt. Betraktet av mange døhards å være den innfødte fineste i California, slår 1974-settet ut med rarified levels of joyousness, oppfinnsomhet og sofistikering. En fremtredende contender for enhver Desert Island-liste og et album som gjentatte ganger gjenoppretter din tro på de uendelige effekter som oppleves ved å lytte til spesielle forestillinger, er Paradise and Lunch en evig musikalsk musikalvspiller en eventyrlystne, ambisiøse, sjelfulle sprang nedover veier, godt reist og stier mindre kjent. Slik eklektisisme, virtuositet og ebullience resonerer med uovertruffen verve på Mobile Fidelitys 180g LP reissue. Mastert fra de originale mestertapeene, trykket på RTI, og strengt begrenset til 3000 nummererte kopier, har denne vinyl-LPen rolige overflater, ypperlig forbigående respons, front-to-back soundstaging og en organisk umiddelbarhet som øker glede, karakter, og håndverk av arrangementene. Cooders-inspirert gitar spiller høres enormt livaktig, fylt med riktig skala, fulle toner, og en følelse av forfall som presenterer stienes slutt på hver notat. Horns pop med tredimensjonale detaljer og brassy farger. Akin til bidrag fra alle de all-stjernede deltakerne, fordeler Jim Keltners perkusjon av ekstra stabilitet og dybde. Paradis og lunsj har aldri vært mer gjennomsiktig. På overflaten en samling av tilsynelatende forskjellige jazz-, blues-, åndelige og røtter sanger, kommer det varierte albumet som en hemmelig musikkhistorie. Det forblir en forklaring på sømløs konvergens hvor soniske DNA-forskjeller avslører felles egenskaper og dyner et stoff som er forent av følelse, gjenoppfinnelse og elation. Begynn med en omarbeiding av et tradisjonelt folketall, Tamp Em Up Solid, antatt å være en nære etterkommer av gruppen-vokal melodi sung av felthender når de stablet baller av bomull, og ender med et omrørende avstengt deksel av Arthur Blakes Ditty Wah Ditty en show-stealing duet sendt opp med bare en akustisk gitar og jazz ikon Earl Fatha Hines spritely piano riffs Paradise og lunsj sjarm med utsøkt samspill, inspirerende harmonier og medfødt flair. På ingen måte lyder eksperimentene tvunget, kunstig eller retro. Cooder forvandler hva som i utgangspunktet ser ut til å være obskuriteter i sammenhengende, tilnærmelige sanger som kunne ha blitt registrert i går eller tiår siden. I sin verden sameksisterer en fantastisk reggae-krydret og RB-drevet utgave av Bobby Womacks The All Over Now med en helliggjort, harmoni-basert marsj gjennom evangeliets salme Jesus på Mainline forankret av begrensede Dixieland-aksenter og tollbells. En annen standard, om enn mer moderne, Burt Bacharachs meksikanske skilsmisse rusler over støvete sletter via forsiktig clopping beats, glitrende spanske motiver og sympatisk støtte vokal. Cooder slår også opp strømmen en smidge for hans ide om Bobby Millers Hvis Walls kunne snakke, skjøt et melodisk øyeblikksbilde av doo-wop gjennom med reverb-drenched grooves. Han regner funky vibes, kylling-riper lysbilde gitar og churchgoing leksjoner ned på en topp-til-bunn remake av Blind Willie McTells Married Mans a Fool, revidasjonen stemningsfull av fantasi, ferdighet og blanding som bidrar til å gjøre Paradise og Lunsj en absolutt må-eget album og nå, et audiophile valg for de som ønsker-for Desert Island turer. 1. Tamp Em Up Solid 2. Tattler 3. Gift Mans a Fool 4. Jesus på Mainline 5. Dens All Over Now 6. Fool for a SigaretteFeelin Good 7. Hvis vegger kunne snakke 8. Meksikansk skilsmisse 9. Ditty Wah Ditty 180 Gram Audiophile Virgin Vinyl LP - forseglet malt fra minnet (forhåndsbestilling) Rask visning malt fra minnet (forhåndsbestilling) En uforglemmelig utstilling av stjernemelodier, nydelige ordninger og fullstendige følelser: Elvis Costello og Burt Bacharachs Brilliant Painted from Memory a Collaboration for the Ages Mestert fra de originale masterbåndene og strengt begrenset til 3000 nummererte kopier: Mobile Fidelity 180g LP, malt fra minnefunksjoner Utrolig detalj, frodighet, teksturer og rekkevidde Elvis Costello og Burt Bacharachs Malet fra Memory endures som en ekstraordinær utstilling av førsteklasses musikkopptak, nydelig arrangering og naken følelser. Etter å ha oppstått etter at paret var sammen med Gud, gi meg styrke til et filmlydspor (og avsluttende spor her), har albumet siden blitt et av de mest respekterte og beundret prosjektene til hver artister, en stor karriere. Den sakkyndige sysselsetting av melodi og harmoni gir en tidløshet som strekker seg tilbake til pops gullalder og ikoner som Roy Orbison, Ray Charles og Frank Sinatra. Videre forsterket av grundig produksjon, har det lenge kalt ut for lydfilbehandling. Mobile Fidelitys analog gjenutgivelse bringer det hele hele sirkelen. Mastret fra de originale mestertapeene, trykket på dødt stille 180g vinyl på RTI, og strengt begrenset til 3000 nummererte kopier, Mobile Fidelitys vinyl LP av Painted from Memory, forvandler 1998-settet til en viktig del av et hvilket som helst bibliotek. Alltid en innsats som belønnet ensom lytting, puster den nå med overveldende åpenhet, avslører krystallinsk detalj, utfolder seg mot jet-back-bakgrunn, mesmeriserer med en regnbue av teksturer, og bruker stadig sin umulige glatthet. For første gang kan omfanget av intricacies, nyanser og formuleringer innebygd i Bacharachs grundige komposisjoner bli opplevd i sin helhet. Banebroen, refrains og codas bøyer sansene. Det er Costellos sang og teksteres poesiske rekkevidde. Faktisk er nivået på omsorg og bekymring investert i hvert passasje av Painted from Memory, umiddelbart oppdaget av de overveldende sonikene som tilbys på denne samleoppdateringen utrolig, første gang denne tittelen har vært tilgjengelig på LP. Referanse-klasse tilstedeværelse, tonalitet og balanse bidrar til å fange sveis av strengene, fargerike rødme av hornakenter og pianoets vekt. Steve Nieves-tastaturer, Greg Cohens bass, Dean Parks gitar og Jim Keltners trommer synes tilsynelatende rett i rommet. I stedet for å smøre sammen eller jockey for posisjon, har hvert instrument sitt eget sted og lyder samtidig en del av det rike, frodige, komplekse, men komplisert sammenvevd tapetry. Grasiøs, elegant og klassikeristisk, Painted from Memory er et ekte mesterverk og et sant samarbeid. Ikke rart, Costello dedikert en stor del av et kapittel fra sin utrolige Musikkforsinkende Blekk-memoarer til sin tid med Bacharach. Blant hans innsikt, forklarer Costello hvordan utformingen av albumet tvang ham til å være en bedre forfatter og sanger og en bedre lytter, med følgende ord: Skrive de første sangene med Burt Bacharach, måtte jeg høre hva musikken egentlig sa til meg. Noen ganger snakket det så stille at jeg trengte å lytte veldig nøye. Jeg trengte tid til meningen og følelsen av at jeg følte meg i musikken som ble bekreftet av mine egne ord. Det merkelige var at tittelen på en sang ofte kom til meg på et øyeblikk, men da ville begynne den mer uhyggelige oppgaven med å forhandle Burts romslige melodier og rytmiske subtiliteter. De mange aspektene Costello diskuterer, kommer til forkant på bemerkelsesverdige fakkelstykker som det intenst dramatiske Dette huset er tomt, melankolsk tyv, og Grammy-vinnende Jeg har fortsatt den andre jenta. I tillegg til Bacharachs suave, sofistikerte, slående utsøkte orkestrasjoner, bærer Costellos vokal dagen. Straddling to oktaver og sukker med smerte, bittersøt romanse og wistful refleksjon, hans bariton strekker seg for å formidle høyder og nedturer med crooner-lignende poise, bredde og fastidiousness. Spennende, særegne og minneverdige, forestillingene er akkurat som hele Maleriet fra Memory selv uforglemmelig flott. 1. I det mørkeste stedet 2. Toledo 3. Jeg har fortsatt den andre jenta 4. Dette huset er tomt nå 5. Tårer på fødselsdagsfestet 6. Slike usannsynlige elskere 7. Tjuv 8. Den lange divisjonen 9. Malte fra minnet 10 The Sweetest Punch 11. Hva er hennes navn i dag 12. Gud gir meg styrke Elvis Costello og Burt Bacharach 180 gram Audiophile Virgin Vinyl LP - Forseglet rykt og sukk (forhåndsbestilling) Rask visning Rykt og sukk (Pre-Order) Den mest sammenhengende og Tilgjengelig Album av Richard Thompsons Karriere: Brillant Diverse, Savagely Vittig Rygte og Sigh Inkluderer All Time 100 Sang 1952 Vincent Black Lightning Behandlet fra de originale masterbåndene, trykket på RTI, og strengt begrenset til 3000 nummererte kopier: Rykt og sukk på 180g Vinyl 2LP for første gang, funksjoner dynamisk produksjon Richard Thompson klarer alle sine vanlige superhuman feats på rykt og sukk. Rippede, pulserende gitar linjer som høres ut som de kommer fra fire gitarer. Tekst som avslører de delikate quirksene av menneskelig atferd i vittig, sannferdig oppførsel Her. Engasjerende vokaler som kommer som om de bare sang til deg, ordene dobler som hvisket tanker i ditt eget hode. Men ryktet og sukk går videre ved å gi en skarp, livlig produksjon og godt planlagte arrangementer som gjør 1991-albumet til en av de mest sammenhengende og tilgjengelige innsatsene til Thompson's storied karriere. Og nå, med tak i Mobile Fidelity, er det hans best-sounding plate. Mastert fra de originale mesterbåndene, trykket på RTI, strengt begrenset til 3000 nummererte kopier, og på 180g vinyl 2LP for første gang noensinne å gi nødvendig sporplass, puster Mobile Fidelitys analoge utgave med en brennende åpenhet som gjør at musikken kommer opp med en livligere glans, standout-dynamikk og ustoppelig energi. Den dristige pressen gjør det umiddelbart tydelig. Rygning og sukk varer som et veldig spesielt album, en sammenhengende, variert og morsom sett spikket med noen av Thompsons fineste komposisjoner og en eksotisme som strekker seg til den beskjedne bruken av gutten, mandolin, concertina og crumhorn. Uformelle fans vil trolig til og med gjenkjenne Mitchell Froom-produsert utgivelse inkluderer den uforlignelige 1952 Vincent Black Lightning, en motorsykkelbasert fortelling om lyst, kjærlighet og død, som med rette er anerkjent av TIME Magazine som en av sine All Time 100 sanger. Den, og de andre 13 sporene, tar på seg nyfødt stråling som viser det strålende spekteret av Thompsons instrumentering og tone. Du kan koble til en gitarforsterker rett ved siden av deg, koble til en Fender og Strum. Likevel vil du fortsatt ikke ha dybde, intimitet og detaljer som tilbys av denne audiophile-utgaven. Det er så bemerkelsesverdig. Så er mangfoldet av albumene soniske signaturer og temaer. Åpent Les om Kjærlighet gir en elektrisk startstopp, sin oppsiktsvekkende tempos, glitrende aksenter og massive kroker som fremmer Thompsons morsomme historie om en uerfaren introvert som gjelder popkultur ideer om romantikk til den virkelige ting. Mesterens ordsmed finner lignende ironier i den ondskapsfulle hensikten med å føle meg så god, en keltisk-smaksatt melodi hvis oppløftende følelser står i kontrast med karakterene utenom kontrollbehov. Humor fortsetter seg i den fulle Psycho Street og åndelig Dont Sit on My Jimmy Shands, en varig hyllest til den skotske trekkspillisten og jakten på å samle sjeldne 78 poster. Sangerenes låtskrivere for å fremheve bittende kontrast og for å fordype seg i mørkere områder der jalousi, bitterhet og selvdekorasjon opprettholder ryktet og sukk på samme måte, bandet hans nyanser hver sin bevegelse med fortellende ferdigheter. Bare hør på de svake tastaturkursene på Jeg Misforstått eller Jim Keltners skarpe, hei-sprekker på Du drømmer for mye. Selvfølgelig står alle til side for folkemasset 1952 Vincent Black Lightning, en soloturné av musikalitet og lyrisme som bekrefter Rumor and Sigh, overlever ikke bare som en av de fineste opptegnelsene på 1990-tallet, men en av de beste tallerkene av siste tre tiårene. 1. Les om kjærlighet 2. Jeg føler meg så bra 3. Jeg misforstått 4. Grå vegger 5. Du drømmer for mye 6. Hvorfor må jeg plage 7.1952 Vincent Black Lightning 8. Backlash Love Affair 9. Mystery Wind 10. Ikke sett på meg Jimmy Shands 11. Hold din distanse 12. Mor kjenner Best 13. Gud elsker en drunk 14. Psycho Street 180 gram Audiophile Virgin Vinyl LP - 2 LPs forseglet Shady Grove (forhåndsbestilling) Quick View Breakfast In America (Forhåndsbestilling) Supertramps Blokkeringsfunksjoner Fangete kroker, Rhapsodiske melodier, Symphonic Bluster, Omhyggelig Produksjon: Frokost i Amerika Inkluderer den logiske sangen, ta lang vei hjemme. Mastergrad fra de originale masterbåndene til Supreme Sonics: Mobile Fidelitys 180g Vinyl LP Presenterer Records Famed Dynamics, Colors, Toner og instrumentering i fullverdig herlighet Supertramps Frokost i Amerika har alt: Illustrativt kunstverk. Syng en lang kroker. Smittsomme melodier. Symphonic bluster. Rhapsodisk trykk. Signatur Wurlitzer elektrisk piano lyder. To Grammy-priser, inkludert en for Best Engineered Album. Mer enn 20 millioner eksemplarer solgt. Fire Billboard hit singler som fortsetter å dominere radio airplay i dag. Hvert aspekt av graf-topp-art-rock-settet skriker blockbuster, ikke minst som er produksjonen, resultatet av omhyggelige studiooppsett og måneders blanding. Nå kan du oppleve den soniske briljansen i enestående klarhet om Mobile Fidelitys endelige analoge gjenutgivelse. Mastergrad fra de originale mestertapeene og trykket på RTI, denne nummererte, 180g LP-versjonen med begrenset utgave vri ut rekorddynamikken, farger og toner i all sin fullverdige herlighet. Uten kunstige tak, frokost i Amerika utfolder seg med en ekspansivitet og utstråling som er parallelt med den pulserende dens ikoniske New York-tema deksel. Viktige egenskaper som bildebehandling, separasjon, balanse, transienter og åpenhet oppnår nær-episke nivåer av realisme og nærvær. Sanger utfolder og puster på mammutiske scener som gjør innsatsen legendarisk produksjon og stjernespill i riktig perspektiv. 1979 settet har blitt reissued flere ganger i fortiden, men det hørtes aldri så engasjerende, livlig eller underholdende. Hvis du tror at du kjenner posten bakover og fremover, vent til du hører denne versjonen. Faktisk, bortsett fra den ubestridelig fengende naturen til de ti sporene, er det fortsatt morsomt det viktigste elementet i frokosten i Amerika. Bandet titlet titelen til å falle i tråd med den generelle gledelige følelsen av materialet. Om sistnevnte: Få sent på 1970-tallet har rockalbumene en mer sammenhengende, harmonisk drenket parade av forbløffende utført, vidunderlig ordnede verk. Den kollektive avkom av medlemmer Rick Davies og Roger Hodgson, hver melodi gjenspeiler den kreative pulsene til hver musiker, med de resulterende kontrastene utlån til deres appell. Davies forkjærlighet for grittier, bluesy strenger blander seg med Hodgsons vittige, pop-lutende teknikker. The combination proves unstoppable. Home to a quartet of commercial staples The Logical Song, Goodbye Stranger, Take the Long Way Home, and the title track Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked The Logical Song, life-in-America portrait Child of Vision, or move-to-L. A. saga Gone Hollywood. U. S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record. Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock roll by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on Goodbye Stranger, gospel accents on Lord Is It Mine, saxophone lines on Take the Long Way Home, or chemistry of the choruses on basically every piece here. Its enough to make one long for the 70s again. 1. Gone Hollywood 2. Logical Song, The 3. Goodbye Stranger 4. Breakfast in America 5. Oh Darling 6. Take the Long Way Home 7. Lord Is It Mine 8. Just Another Nervous Wreck 9. Casual Conversations 10. Child of Vision 180 Gram Audiophile Virgin Vinyl LP - Sealed Heart Like A Wheel (Pre-Order) Quick View Heart Like A Wheel (Pre-Order) Linda Ronstadts 1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting: Heart Like a Wheel Features an All-Star Instrumental Cast and Singer at Her Best Audiophile Clarity, Profound Depth, Lifelike Naturalism, and Transfixing Warmth: Numbered, Limited-Edition Mobile Fidelity 180g LP Meticulously Mastered for Supreme Sound How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadts Heart Like a Wheel in proper perspective more than four decades after its original release For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Perfor mance Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decades most in-demand, multifaceted, and cherished female singer soon after it captured the publics attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance a trifecta that still holds sway in this era or any. Mobile Fidelitys reissue puts it over the top to stay. Mastered on Mobile Fidelitys world-renowned mastering system and pressed on dead-quiet 180g vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadts flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression. Yet the advantages of this limited, numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadts singing. Specifically, the majesty of Peter Ashers crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180g LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures. While Ronstadts interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple and a lasting example of the periods laid-back West Coast sound cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J. D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them. The other secrets to the records distinctiveness lie with Ronstadts versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, No other pop singer so perfectly embodies the Western mythical girlwoman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadts honey-colored soprano that no other singer quite possesses the edge between vulnerability and willfulness that I find totally, irresistibly sexy. Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr. s Youre No Good, harmony-rich treatment of Hank Williams I Cant Help It (If Im Still in Love with You), folk-rock lilt of Lowell Georges Willin, or soulful send-up of Phil Everlys When Will I Be Loved Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigles title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort the kind of record they just dont make anymore. 1. Youre No Good 2. It Doesnt Matter Anymore 3. Faithless Love 4. The Dark End of the Street 5. Heart Like a Wheel 6. When Will I Be Loved 7. Willin 8. I Cant Help It (If Im Still in Love with You) 9. Keep Me from Blowing Away 10. You Can Close Your Eyes 180 Gram Audiophile Virgin Vinyl LP - Sealed Layla (Pre-Order) Quick View Layla (Pre-Order) Ranked 115500 On Rolling Stone Magazines List Of The 500 Greatest Albums Of All Time. Eric Clapton and Duane Allman in the Same Band for the Only Time: Derek and the Dominos Layla a Timeless Batch of Fire-Pot Blues, Poignant Gospel, Searing Rock, and Lustful Emotion Mastered from the Original Master Tapes and Pressed at RTI: Mobile Fidelity 180g 2LP of Layla Is the Definitive-Sounding Analog Edition, Presents Music With Immersive Detail and Realism The reputation of Derek and the Dominos Layla and Other Assorted Love Songs, their lone record, precedes it. Eric Clapton performing in the studio with Duane Allman, Bobby Whitlock, Carl Radle, and more for the only time. A batch of fire-pot blues, poignant gospel, and searing rock all birthed from the leaders insatiable lust for his friend George Harrisons wife. Now, experience it all, and one of the most famous guitar solos and codas in history, in unsurpassed sound courtesy of this quintessential Mobile Fidelity reissue. Mastered from the original master tapes and pressed at RTI, Mobile Fidelitys 180g 2LP set exposes the brilliance of Tom Dowds original production and the scope of the virtuoso musicians playing. Youve never been closer to the aching vocals, stinging leads, tormented emotions, or wowing intensity that grace every track. Claptons tones emerge with unprecedented soulfulness. Afforded their own space in the mix, Allmans slide-guitar passages crackle with urgency. All-important sonic components such as soundstaging, imaging, and dynamics transport you to the actual event. Mobile Fidelitys analog version testifies on behalf of why fans deemed Clapton god. Then, of course, theres the title track crowned the 27th greatest song of all time by Rolling Stone. What to say about the outro arguably the most famous, passionately penetrating, visceral, double-edged guitar solo in history. Claptons strings weeping with longing, hope, regret, unrequited love. It deserves the best-possible sonic platform, and receives it here, on a pressing that brings Slowhands every finger moment into great relief. Get inside Claptons head, burrow into the conflicted emotions fluttering in his heart as he pines for his another mans wife, and in the process, produces an album that forever lives in the souls of anyone whos ever loved and lost. Claptons pained yearning permeates everything here. Works such as the swampy Tell the Truth, the pleading Why Does Love Got to Be So Sad, and blues-drenched Have You Ever Loved a Woman attest to his raw-nerve discomfort, guilt, and desire. He leaves teardrops on the microphone stand and blood on the floor, singing and playing as if his life depends on it and if, by some miracle, the music will serve as both a confessional and apology to Harrison. Its all magnified by Clapton achieving a spiritual and sonic oneness with his band, which matches his high-stakes precision with a rolling, tumbling looseness. Allman adds firepower and achieves a still-unrivaled simpatico bond with Clapton, but each participant soars. Consider: The call-and-response, Sam and Dave-derived vocal exchanges between Whitlock and Clapton. Rich, creamy, Southern-stoked blends of RB, blues, and soul. Vibrant tapestries in which the pianos, bass, guitars, and voices explode with ravishing fervor, naturalism, and desperation. Indeed, maybe a combo this great was only intended one shot in the studio. Perhaps the paralyzing degree of potency on display here, and the musicianship that remains the standard by which any blues-rock is judged, is meant to be preserved as one standalone record. Whatever the case, this is the analog version to own. 1. I Looked Away 2. Bell Bottom Blues 3. Keep on Growing 4. Nobody Knows You When Youre Down and Out 5. I Am Yours 6. Anyday 7. Key to the Highway 8. Tell the Truth 9. Why Does Love Got to Be So Sad 10. Have You Ever Loved a Woman 11. Little Wing 12. Its Too Late 13. Layla 14. Thorn Tree in the Garden Derek The Dominos 180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Get The Knack (Pre-Order) Quick View Get The Knack (Pre-Order) One of the Most Instantly Successful and Highest-Selling Debut Albums in History: The Knacks Attitudinal Get the Knack Loaded With Power Pop, Catchy Hooks, Keen Melodies, and My Sharona Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity 180g LP of Get the Knack Teems with Abundant Energy Most everyone knows The Knacks Get the Knack because of the ubiquitous smash My Sharona, a contagious hit that still plays countless times everyday on radio stations nationwide. But the appeal and significance of the Los Angeles quartets 1979 debut extend far beyond the career-making single. Loaded with tight power pop, hummable hooks, blunt lyrics, and precision playing, the controversy-igniting Get the Knack resonates with an ageless freshness thats influenced everyone from Kurt Cobain to modern indie artists such as the Mountain Goats. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, Mobile Fidelitys 180g LP of Get the Knack brings the records urgent harmonies, keen melodies, bell-clear tones, and snapping percussion out of the shadows and into the limelight. Graced with large-scale frequency extension and ample separation, the Knacks feisty music now teems with added energy, body, and immediacy. Absent the dynamic compression that squelched previous reissues, this numbered limited-edition audiophile analog version blossoms with detail, openness, and brashness. A guilty pleasure to some and new-wave classic to many others, Get the Knack is so attitudinal it spawned one of the industrys most famous backlashes. Released by Capitol Records after the Knack courted a dozen other offers, the 12-track set remains one of the most instantaneously successful debuts ever made. Aided by tongue-in-cheek marketing, a sly cover-art reference to the Beatles Meet the Beatles, and Mack Truck-sized refrains that stick in your head for hours, Get the Knack went gold in days and, to date, has sold more than five million copies. The meteoric rise didnt sit well with detractors committed to ripping apart the band for its perceived arrogance (members refused to sit for interviews) and alleged misogynist stance. Needless to say, the boycotting campaigns fell on deaf ears. Holding down the top of the singles chart for six weeks, and the eventual number-one single on the year-end 1979 chart, My Sharona alone cemented the Knacks position in history. Written by lead singer and guitarist Doug Fieger about his lust for the then-underage 17-year-old Sharona Alperin, who ultimately became his fiance, the anthems suggestive themes carry throughout the record. Straightforward in its sleaziness and sexuality, Get the Knack pulls no punches about teenage frustrations, boy-girl one-upsmanship, sticky sweet romance, and unrequited passions for the opposite sex. Teasing, mischievous tracks such as (Shes So) Selfish connect with Bo Diddley-inspired riffs and crude, hormonally charged lines that split the difference between manipulation, nastiness, and arousal. The Top 15 hit Good Girls Dont similarly confronts the pent-up carnal desires and libidinous emotions shared by youth of all generations, while Thats What the Little Girls Do functions as a sly response. Your Number or Your Name dabbles in related subject matter, with sensitivity and hopefulness added for good measure. Its a perfect mix of agony and ecstasy, fear and confidence. Shot-through with yearning, every song bursts forth with undeniable catchiness, firecracker release, and sassy style an approach Rolling Stone rightly says finds the band winding itself tighter than a hot pair of disco jeans, then doing its best to hold to that energy until its time to explode. 1. Let Me Out 2. Your Number or Your Name 3. Oh Tara 4. (Shes So) Selfish 5. Maybe Tonight 6. Good Girls Dont 7. My Sharona 8. Heartbeat 9. Siamese Twins (The Monkey and Me) 10. Lucinda 11. Thats What the Little Girls Do 12. Frustrated 180 Gram Audiophile Virgin Vinyl LP - Sealed Rides Again (Pre-Order) Quick View Rides Again (Pre-Order) The Joe Walsh-Led James Gang Balances Edgy Hard Rock and Sincere Country-Tinged Ballads on 1970 Classic: Rides Again Features the Radio Favorite Funk 49 and Multi-Part Bomber Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 4000 Numbered Copies: Mobile Fidelity 180g Vinyl LP of Rides Again Presents James Gang in Full-Scale Detail Led by future Eagle Joe Walsh, the James Gang establishes a power-trio template for all times on its 1970 sophomore album. Home to the top-down favorite Funk 49, Rides Again sparks with a stylistic versatility, hard-rocking edge, and balladic vulnerability united by tight-knit musicianship. The quartets penchant for crunch-laden boogies and focused jamming pours out on the first half of the record before the band pulls its trick bag out on the second half and injects keyboards into the stylistically varied mix. From start to finish, Rides Again is a 70s rock classic and, now, one that at last features first-rate sonics to match the music. Recorded at the then-brand-new Record Plant, the songs sound more authoritative and fun than ever before on Mobile Fidelitys restored analog pressing. Mastered from the original analog tapes, pressed at RTI, and strictly limited to 4000 numbered copies, this 180g LP teems with involving textures, details, and depth hidden from view on prior pressings. The dimensional body and weight of the guitars, probing low-end of Dale Peters bass lines, reedy timbre of Walshs singing, and pacing of the crisp percussive cues are all enhanced. Increased separation between the instruments and airier, more open soundstaging add to the records toe-tapping fun and seemingly unlimited groove quotient. Walsh, without question, remains the biggest draw on Rides Again. The FM radio staple Funk 49 kick-started by the irresistible declaration I sleep all day, out all nightI know where youre goin continues to be identified by many as a Walsh solo tune. Yet it, as well as the sexual thrust of the head-bobbing Woman and proto-metal slash of the multi-part The Bomber, fully represents the pure chemistry and locomotive momentum of the James Gang. With Walshs Echoplex-equipped slide guitar making psychedelic - and blues-leaning comments, his mates pick up on the direction and answer with melodic responses. Throughout the record, the trios synergy clicks at every turn. Such interplay extends to the more diverse, country-tinged fare on Side B. Streaked with throaty organ passages and reflective moods, sincere midtempo ballads like Tend My Garden tease with rave-up structures and express a softer side of the group. Similarly, the acoustic-based Garden Gate and Jack Nitzsche-orchestrated Ashes the Rain and I showcase sincerity and diversity suggesting the James Gang prepared to defy limitations afforded most of its peers. Yet Walshs departure in 1971 changed the groups fortunes and, by extension, upped the value of Rides Again, which survives as a near-flawless example of earnest 70s rock and organic playing. 1. Funk 49 2. Asshtonpark 3. Woman 4. The Bomber 5. Tend My Garden 6. Garden Gate 7. There I Go Again 8. Thanks 9. Ashes the Rain and I 180 Gram Audiophile Virgin Vinyl LP - Sealed Chicken Skin Music (Pre-Order) Quick View Chicken Skin Music (Pre-Order) Give Yourself Goosebumps: Ry Cooders Cross-Cultural Chicken Skin Music Mixes Hawaiian, Gospel, Conjunto, Folk, and Blues Styles into a Visionary Roots-Music Tapestry Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 3000 Numbered Copies: Natural-Sounding 180g Vinyl LP Features Defined Textures, Intricate Details, Ample Airiness The title of Ry Cooders Chicken Skin Music Hawaiian slang for goosebumps serves as a direct, simple description of the albums emotional appeal. But it barely scratches the surface of a 1976 effort that triggered an interest in world music a decade before the term became commonplace and a genre into and of itself. Part of a series of inimitable mid-1970s records on which Cooder ignored traditional boundaries and instigated lasting cross-cultural communication, Chicken Skin Music blends gospel, Hawaiian, folk, blues, and Tex-Mex styles into a brilliant roots stew distinguished with virtuosic playing and inspired contextual surprises. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, Mobile Fidelitys 180g vinyl LP of Chicken Skin Music brings the brilliant instrumental textures and lively tonalities to the fore like no prior analog edition. Graced with silent, black backgrounds and generous soundstages, this reissue particularly underscores the depth of Flaco Jimenezs accordion contributions. Youll hear the air flowing through the reeds, pressure resonating from the bellows, and the wide-spanning timbres emanating from the register stops. Equally transfixing are the lifelike manners in which the rich assortment of guitars come alive, with each note occupying its own space and portraying a character unique to the individual instrument, be it a slack-key, steel, or acoustic guitar. The result is a multi-detailed, organic-sounding musical tapestry that dazzles by way of beautiful interplay, unexpected dialogue, and connective eclecticism that proves music is indeed a common language when executed with a collaborative mindset, innovative exploration, and respectful authenticity no easy feats, but achievements fully on display on Chicken Skin Music. Jimenez, now a legend thats performed with everyone from the Rolling Stones to Dr. John, remains one of the keys to Cooder being able to successfully carry out what the latter deemed a mutuality in music vision. Cooder first heard conjunto accordion fare on a Mexican radio station in his car and proceeded to teach himself the instrument while committing himself to embracing the then-local, regionalized style for the set that became Chicken Skin Music. Jimenez graces three tracks, including a ravishing interpretation of Ben E. Kings Stand by Me transformed into a spiritual grounded by a norteno structure and a romantic take on Jim Reeves Hell Have to Go recast with a bolero rhythm and saxophone-accordion duet. Chicken Skin Music isnt limited to South of the Border geography and tradition. Steel-guitarist and vocalist Gabby Pahinui and slack-key guitar great Atta Isaacs represent the 50th state on stripped-down renditions of Hank Snows smash Yellow Roses and the wordless Chloe. Elsewhere, gospel singers team with Cooder on the Appalachian-tinted Always Lift Them Up, the midsection of which features the Hawaiian standard Kanaka Wai Wai. Cooder bookends everything with a pair of Leadbelly numbers The Bourgeois Blues and Goodnight Irene chosen after the headliner witnessed Jimenez and his band perform at a local dance. Given their ordering on the album, techniques they employ, and themes, the songs also further tighten the thematic connection the headliner makes with the standout guests. In many ways, Chicken Skin Music is the equivalent of Buena Vista Social Club more than 20 years before the latter emerged. Experience it the way Cooder and company meant it to be heard in unparalleled fidelity. 1. The Bourgeois Blues 2. I Got Mine 3. Always Lift Him UpKanaka Wai Wai 4. Hell Have to Go 5. Smack Dab in the Middle 6. Stand by Me 7. Yellow Roses 8. Chlo-e 9. Goodnight Irene 180 Gram Audiophile Virgin Vinyl LP - Sealed Dire Straits (45 RPM) (Pre-Order) Quick View Dire Straits (45 RPM) (Pre-Order) Dire Straits Self-Titled 1978 Debut Distinguished By Jazz-Inflected Mix Of Folk, Blues, Country, And Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, And Texture Mastered From The Original Master Tapes And Pressed At RTI For Optimal Sound: Mobile Fidelity 45RPM 2LP Set Engages With Natural Tones, Superb Balances, Reference Imaging, Sterling Clarity Breakout Dire Straits Album Includes Sultans Of Swing And Down To The Waterline: Bands Shuffles, Boogies, And Ballads Spark With Crispness, Soulfulness, Coolness Dire Straits arresting self-titled debut arrived in the midst of punks reign but couldnt have been further removed from the eras slash-and-burn style. Recorded in West London in February 1978, the bands tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n roll. Country and roots accents further distinguish the British quartets stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over and which has never been better than on this meticulous analog pressing. Mastered from the original master tapes and pressed at RTI, Mobile Fidelitys 180g 45RPM 2LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if youve heard this album hundreds of times before, youve never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collectors set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound. Crucial to every arrangement, Mark Knopflers winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if its being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45RPM edition. Rhythms skate and swirl percussive effects resonate with crispness and attack the leading edges of notes naturally decay. Dire Straits strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopflers narratives pour forth with poetic and surrealist texts, the musical settings an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating. Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. Down to the Waterline, Wild West End, and Lions all feature colloquial touches that add to their reach. By extension, In the Gallery functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the records breakout smash, Sultans of Swing, pays homage to struggling bar bands. Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didnt hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can. 1. Down to the Waterline 2. Water of Love 3. Setting Me Up 4. Six Blade Knife 5. Southbound Again 6. Sultans of Swing 7. In the Gallery 8. Wild West End 9. Lions 180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Communique (45 RPM) (Pre-Order) Quick View Communique (45 RPM) (Pre-Order) Smooth, Effortless, Relaxed, Tuneful, And Deceivingly Simple: Dire Straits Communique Teems With Technical Perfectionism, Southern-Styled Grooves, And Low-Key Blues Reference-Level Detail, Depth, Soundstaging, Balance, And Presence: Communique Has Never Sounded Better Than On Mobile Fidelitys 180g 45RPM 2LP Version Mark Knopflers Mesmerizing Textures, Intricate Lines, And Crisp Tones Pair With Engaging Storytelling And Tight Rhythms: Every Song An Example Of Understated Virtuosity The performances on Dire Straits Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the bands breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the groups most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity. Mastered from the original master tapes and pressed at RTI, Mobile Fidelitys 180g 45RPM 2LP set of Communique elevates Dire Straits sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitaristvocalist Mark Knopfler and companys stellar playing seem even more fluent particularly when experienced on this collectors 45RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight. Knopflers mesmerizing guitar textures and composed vocals appear as if theyre right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. Youll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelitys LP also brings into transparent view Knopflers seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better. Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits technical perfectionism and creative elan prevail throughout. Knopflers penchant for sketching cynical characters is further developed on moody tracks like Where Do You Think Youre Going and News, while Wexlers presence at the boards ensures the band keeps the rhythms extra tight. The quartets low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity. Refusing to give into excess, magnetic tunes such as Lady Writer and Angel of Mercy split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n rolls classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits compositional strengths Cue up the closing Follow Me Home on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly. The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made. 1. Once Upon a Time in the West 2. News 3. Where Do You Think Youre Going 4. Communique 5. Lady Writer 6. Angel of Mercy 7. Portobello Belle 8. Single-Handed Sailor 9. Follow Me Home 180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Love Over Gold (45 RPM) (Pre-Order) Quick View Love Over Gold (45 RPM) (Pre-Order) Dire Straits Stretch Out With Extended, Ambitious Arrangements And Moody Atmospherics: Love Over Gold Mesmerizes With Tension, Contrast, Interplay, And Craftsmanship Mobile Fidelity 45RPM 2LP Set Of Love Over Gold Touts Unsurpassed Spaciousness, Imaging, And Transparency: Mastered From The Original Tapes, Music Emerges With New Details And Tones Love Over Gold Includes The Epic Telegraph Road And Aching Private Investigations: Heartfelt Narrative Songs Steeped In Patience, Drama, Sadness, And Romance Love Over Gold is all about contrast, tension, and crafty composition. Dire Straits fourth album finds the band continuing to evolve by welcoming increasingly bold arrangements and exploring moody variations. Parts edgy and sharp, and part seductive and relaxed, the five lengthy songs on Love Over Gold sprawl out like a long, winding road cutting through a pastoral landscape. The addition of a new rhythm guitarist, Hal Lindes, encourages deeper atmospheric interplay while the presence of engineer Neil Dorfsman his first appearance in what would be a long string of collaborations with Mark Knopfler ensures stunning sonic properties that now come to life like never before. Mastered from the original master tapes and pressed at RTI, Mobile Fidelitys 180g 45RPM 2LP version of Love Over Gold teems with superb balances, front-to-back soundstages, and crystalline purity. The dead-quiet surfaces and extra-wide grooves bring forward previously obscured details, extra information, and mastering-studio-quality transients. The distinctive textures of a host of instruments marimbas, acoustic and electric guitars, vibes, synthesizers further enhance the ambitiousness of the 1982 album. On this audiophile pressing, everything Knopfler does seemingly turn to gold. Gearheads will hear the unique characteristics afforded by his use of a Mesa Boogie Mark II guitar amplifier (soon again employed on Brothers in Arms) and carefully chosen selection of Schecter Stratocasters, 1937 National steel guitar, and Ovation six - and twelve-string models. Reference-level separation and lifelike imaging place Knopfler and company in your room, while tube-like warmth, spaciousness, and airiness causes the music to breathe anew. This LP will be in your rotation for months. It doesnt take long to realize Love Over Gold is like no other Dire Straits album and a staunch proclamation of independence from a band that continued to take longer creative strides with each successive project. Fearlessly extending over metaphoric hills, valleys, and plains for nearly 14-and-a-half minutes, the opening Telegraph Road is a guitar heros dream and exhilarating showcase for Lindes give-and-take capabilities. In tandem with keyboardist Alan Clark, Lindes provides the ideal foil for not only Knopfler but the long-time rhythm section of bassist John Illsley and drummer Pick Withers. Taking its time to arrive at destinations, the quintet paints evocative musical and lyrical portraits steeped in patience, drama, and, often times, sadness. Desolate emotions color the sweeping Telegraph Road and barren Private Investigations, which finds Knopfler in the role of a tired private eye contemplating the emptiness and scars of his profession. Vocally, the Dire Straits leader remains in top form throughout, his whiskey-coated rasp conveying romantic ache, ongoing frustration, and what Rolling Stone beautifully deemed wracking schizophrenia between the heart and the heartless, the loving and the pain. Called Dire Straits prog-rock statement, Love Over Gold is a classic that defies labeling and avoids aging. 1. Telegraph Road 2. Private Investigations 3. Industrial Disease 4. Love Over Gold 5. It Never Rains 180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Making Movies (45 RPM) (Pre-Order) Quick View Making Movies (45 RPM) (Pre-Order) Dire Straits Expand Musical Framework And Come Into Own On Making Movies: Co-Produced By Jimmy Iovine, Thematic Album Soars With Personal Songwriting And Epic Arrangements Cinematic Landscapes And Intricate Passages Sound Sublime: Mobile Fidelity 45RPM 2LP Pressing Of Making Movies Mastered From Original Master Tapes, Features Audiophile Dynamics Bruce Springsteen Pianist Roy Bittan, Mark Knopflers Guitar Playing, And Passionate Performances Turn Making Movies Into A Classic: Includes Romeo And Juliet, Tunnel Of Love, Solid Rock Making Movies marks a magnificent turning point in Dire Straits career. Considered by many fans to be the groups most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mlange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again. Mastered from the original master tapes and pressed at RTI, Mobile Fidelitys 180g 45RPM 2LP set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record which contains many Springsteen-esque elements features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about. You know youre in the presence of sonic greatness as soon as the first few seconds of the opening Tunnel of Love pass, as the introductory passage built on organ and piano new additions to Dire Straits palette intertwine with the unmistakable coil-spring twang of Knopflers guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopflers Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittans piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve. Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittans role cannot be overstated. His melodicism poetically complements Knopflers subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks. The albums power isnt lost on Iovine, who later told Rolling Stone: The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is Thats the writing, the guy who wrote it. He wrote the album like that he wanted to make the album like that. Indeed, the first five tracks Tunnel of Love, Romeo and Juliet, Skateaway, Expresso Love, Hand in Hand comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. Theres not a note out of place. Iovine and Knopflers standout production puts it over the top. 1. Tunnel of Love 2. Romeo and Juliet 3. Skateaway 4. Expresso Love 5. Hand in Hand 6. Solid Rock 7. Les Boys 180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed My Funny Valentine Quick View My Funny Valentine Numbered, Limited Edition Historic Recording Captures Elegant Ballads Performed at February 1964 Concert Audiophile Reference-Standard Sound: Album Boasts Lifelike Tones, Balances, Images, and Ambience Davis Taps Divine Inspiration: Compositions Marked by Deep Emotions, Spontaneous Brilliance, Sensitive Beauty, and Sublime Poignancy Miles Davis My Funny Valentine marks several historic turning points. For Davis, the live album represents the final time on record hed perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps of Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis oft-controversial avant-garde leanings. Most significantly, however, the set captures the ballads performed at a benefit concert from New Yorks then-new Philharmonic Hall just months after President Kennedys assassination. Tapping into a seemingly divine inspiration, Davis never sounded so elegant or poetic. Boasting gorgeous sound and pressed on 180g LP at RTI, Mobile Fidelitys choice reissue of the trumpeters scintillating work bookends the labels release of Four More from the same show and features similar enhancements relating to depth, presence, dynamics, clarity, and ambience. Presented in reference-standard fidelity, the record boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the hornsall are rendered with palpable detail. This is the very definition of reach-out-and-touch-it realism. Staged as a benefit to support voter registration in the South, the February concert came amidst the height of the Civil Rights movement, a cause dear to Davis heart. Yet unforeseen circumstances raised the stakes. Having professed his admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (and, in particular, the title track) as homage to the fallen leader, a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate the performances Davis and his Harmon mute paint with intricate brushstrokes. Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leaders equal, and would continue with Davis until later in the decade, helping form whats now known as the second great quintet. But the secret weapon on both My Funny Valentine and its sister Four More arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem one of the unsung heroes of modern jazz. His lines are subtle and sophisticated, straightahead but capable of unanticipated direction, and here, he comes into his own. As does the entire band. Indeed, the combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the quintet on My Funny Valentine arguably exceeds that on any of Davis myriad other live efforts. One listen confirms something special transpiring, and on this Mobile Fidelity reissue, those properties are rendered in a manner thats as transparent to the source as humanly possible. Do not miss this. 1. My Funny Valentine 2. All of You 3. Stella By Starlight 4. All Blues 5. I Thought About You 180 Gram Audiophile Virgin Vinyl LP - Sealed John Wesley Harding (Mono) Quick View John Wesley Harding (Mono) Ranked 301500 On Rolling Stone Magazines 500 Greatest Albums Of All Time John Wesley Harding On Numbered Limited Edition Mono 180 Gram 45 RPM 2LP From Mobile Fidelity Stripped-Back, Unobtrusive 1967 Album A Mellow Return To Dylans Roots And Harbinger of Country Rock Includes Original Version Of All Along The Watchtower Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by deviating from the norm and straying from expectation but continuing to work in the mono format. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with reassurance and freshness, the unobtrusive sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, this restored mono version presents the 1967 album with finite details and in the original sound Dylan intended. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylans acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoys bass with previously unheard character. With the advantage of wider and deeper grooves, the 45RPM pressing also affords the opportunity to detect more information and lavish in the extra richness. The preferred mix at the time of the recording, the mono version presents Dylan with unparalleled directness. Since the separation of the stereo versions isnt as sharp, this mono edition places Dylans vocals in the heart of the musical action and as one with the all-star accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. As much as any Dylan record, the music here fits the mono spectrum to a proverbial t. Recorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favor of stanzas that waste no words and progress narratives at every turn. Its as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity. Combined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano - and pedal steel-flavored set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness. Climbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, theres the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they couldve been made in 1967, 1937, or 2007. With All Along the Watchtower, Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isnt even a standout on an album on which every note just belongs. This title is not eligible for discount. 1. John Wesley Harding 2. As I Went Out One Morning 3. I Dreamed I Saw St. Augustine 4. All Along the Watchtower 5. The Ballad of Frankie Lee and Judas Priest 6. Drifters Escape 7. Dear Landlord 8. I Am a Lonesome Hobo 9. I Pity the Poor Immigrant 10. The Wicked Messenger 11. Down Along the Cove 12. Ill Be Your Baby Tonight 180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Weezer (Blue Album) (Blue Vinyl) Quick View Weezer (Blue Album) (Blue Vinyl) Ranked 297500 on Rolling Stone Magazines 500 Greatest Albums of All Time. Limited Edition Numbered Blue Colored Vinyl LP Mastered From The Original Master Tapes Features Superb Room-Filling Sonics 1990s Ultimate Geek-Rock Record: Includes Buddy Holly, Undone (The Sweater Song), Say It Aint So Weezer doesnt look like rock stars, its amusing name doesnt evoke stadium-heights glories, and the groups lyrics dont exude confidence or flash. For precisely these reasons, and the fact that the bands songs on its self-titled debut are the stuff of air-guitar dreams and shout-it-out choruses, the quartet became ironic arena-rock stars equally celebrated by in-the-know hipsters and mainstream radio listeners. Replete with urgent melodies, quirky confessional narratives, wry humor, and gargantuan hooks, Weezer (Blue Album) remains the best geek-rock record ever made. Mastered from the original master tapes and pressed on 180g blue-colored vinyl at RTI, Mobile Fidelitys analog version of the 1994 release Rolling Stone named the 297th greatest album ever recorded finally possesses the grand-scale sonics that the musics bunker-busting hooks deserve. Cars frontman Ric Ocaseks polished production is now both free of artificial ceilings that squashed the explosive dynamics and rid of the compression that saddled the frequency range. Instrumental separation is vastly improved, and the amount of midrange energy seemingly doubled. This reissue is guaranteed to help you rock out. Underdogs and misfits, Weezer emerged from Los Angeles as nerdy kids that eschewed traditional party-hard ways in favor of studying Kiss records, engaging in conversations about old LPs, and playing Dungeons and Dragons. The bands awkwardness joyfully translates in its songs on its 1994 debut, largely concerned with jealous insecurities, pop culture, true-to-life heartbreak, common accidents, youthful misconceptions, and daydreaming. Unlike many of their indie-rock peers, Weezer finds no need to conceal feelings in obscurities, snark, or impossibly impenetrable quirkiness. While every song on Weezer is a delight, In the Garage, the ultimate ode to a heavy-metal practice space and private musical retreat, best spells out the albums appeal and the bands intent. Ive got an electric guitarI play my stupid songsI write these stupid wordsAnd I love every oneWaiting there for meYes I do, I doIn the garageNo one cares about my waysIn the garage where I belong sings leader Rivers Cuomo, his voice often meshing with that of Matt Sharp, and giving the material a barbershop-quartet harmonic boost in line with the catchiness of the guitar-driven bridges and rhythmic foundations. More than three-times platinum, the Blue Album, as its often called, also claims an iconic cover that pays tribute to that of the Feelies Crazy Rhythms. The picture as well as the bubblegum-inspired content within has become an indelible part of modern culture. Weezer graces must-have lists from Rolling Stone, Pitchfork, Guitar World, and more. And needless to say, My Name Is Jonas, Say It Aint So, Buddy Holly, and Undone (The Sweater Song) are all modern classics. This title is not eligible for discount. 1. My Name Is Jonas 2. No One Else 3. The World Has Turned and Left Me Here 4. Buddy Holly 5. Undone (The Sweater Song) 6. Surf Wax America 7. Say It Aint So 8. In the Garage 9. Holiday 10. Only in Dreams 180 Gram Audiophile Virgin Vinyl LP - Sealed The Times They Are A-Changin (Mono) Quick View The Times They Are A-Changin (Mono) The Times They Are A-Changin on Numbered Limited Edition 180 Gram 45RPM Mono Vinyl 2LP from Mobile Fidelity Stark, Austere, Acoustic Record Dylans First With All-Original Material Title Track, The Lonesome Death of Hattie Carroll, With God on Our Side Establish Dylan as Voice of Social Consciousness The Bard Addresses Issues Such as Equality, Racism, and Poverty and Helps Ignite 1960s Political Movements Strictly Limited to 3,000 Copies and Mastered from the Original Master Tapes, Mobile Fidelitys 45RPM Mono Vinyl Set Presents Dylans Voice, Guitar, and Harmonica in Superlative Sound Immediately distinguished by the direct mono sound and youre-either-with-us-o r-against-us messages of the landmark title track, Bob Dylans The Times They Are A Changin sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bards trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner like few albums before or since. Mastered from the original master tapes and pressed on 180g LP at RTI, Mobile Fidelitys restored 45RPM analog version delivers the landscape-shifting music in reference-quality mono sound that transports you to Columbias Studio A. Reflecting the austerity of the topics and Dylans mood, the sonics are direct and unadornedeach word hitting with weight, each phrase lingering until it pulls you under, each storyline echoing as fact. The hollow body of Dylans guitar, internal mechanisms of his harmonica, and graininess of his throat come across in full-on detail. Wider grooves mean more information reaches your ears. As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isnt as sharp, the mono edition places Dylans vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless albummaking the mono mix all the more historically valuable and truthful. Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin Bob Dylan, The Times They Are A-Changin skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedys assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug. In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A-Changin is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction The Lonesome Death of Hattie Carroll, assertive Restless Farewell, and semi-autobiographical North Country Blues, Dylan casts hardships, greed, and victimization in such relatable terms its impossible to turn away and ignore their implications. As correctly relayed by Dylan expert and cultural critic Greil Marcus, The record forever fixed Bob Dylan in the popular imagination: the protest singer, the young man able to see through metal (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break. This title is not eligible for discount. 1. The Times They Are A-Changin 2. Ballad of Hollis Brown 3. With God on Our Side 4. One Too Many Mornings 5. North Country Blues 6. Only a Pawn in Their Game 7. Boots of Spanish Leather 8. When the Ship Comes In 9. The Lonesome Death of Hattie Carroll 10. Restless Farewell 180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Bringing It All Back Home (Mono) Quick View Bringing It All Back Home (Mono) Ranked 31500 on Rolling Stone Magazines 500 Greatest Albums of All Time. Dylans 1965 Landmark Blows Up Boundaries, Styles, Practicalities: Rock Music Becomes its Own Art Form Wider Grooves, Superior Sound, Original Mono Mix, Meticulously Mastered Strictly Limited to 3,000 Copies Best of Both Worlds: Dylan Pairs With a Band on Side One, Goes It Alone on Astonishing Solo Thought Dream Odysseys on Side Two Epitome of Iconic: Everything from Cover Art to Sound to Attitude to Song Represents New Benchmark in Respective Categories Bring it all back home in mono. Originally designed by the artist for mono listening, Bob Dylans Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. Its a disarming broadcast that declares Dylans surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed. As part of its Bob Dylan catalog restoration series, Mobile Fidelity is humbled to have the privilege of mastering the iconic album on its world-renowned mastering system and pressing it on 45RPM LPs at RTI in its original mono format. Strictly limited to just 3,000 copies, the end result is the very finest, most transparent analog mono edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound, the albums you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information. Since Bringing It All Back Home features the most instrumentation Dylan implemented in arrangements at that stage of his career, the set is undoubtedly vivid in stereo particularly the electric half. Yet the Minnesota native paid particular attention to the mono mix, which here presents Dylan with unparalleled directness. The records second half sounds especially genuine, lifelike, and intimate in mono. It paints listeners an incredibly accurate portrait of the attention-getting mass of acoustic-based sound and features no artificial panning or echo chamber of its stereo counterpart. Instead, you are immersed right into the music. Indeed, the sonics on this Mobile Fidelity reissue are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbias Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fans into a tizzy. More than 50 years after its release, Bringing It All Back Home continues to come on like a prophetic transmission from a savant whos privy to cerebral viewpoints, mental transferences, and thought dreams elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naivet, and tarnished relationships, respectively, Dylan constructs a compositional quartetsuite that functions as metaphor for his waving goodbye to political folk musics imprisoning rules and bounding restrictiveness and a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced. Side One remains one of the boldest cohesive artistic statements ever made. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny Subterranean Homesick Blues before romping, slashing, and rolling through Maggies Farm, another fun albeit caustic indictment of homogenous thought and bohemian method. Dylans attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery. Ranked 31 on Rolling Stones list of the 500 Greatest Albums of All Time, Bringing It All Back Home marks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums dont come more vetted. You deserve to experience the mono edition in the finest-possible quality, just as Dylan intended. This title is not eligible for discount. 1. Subterranean Homesick Blues 2. She Belongs To Me 3. Maggies Farm 4. Love Minus ZeroNo Limit 5. Outlaw Blues 6. On the Road Again 7. Bob Dylans 115th Dream 8. Mr. Tambourine Man 9. Gates of Eden 10. Its Alright, Ma (Im Only Bleeding) 11. Its All Over Now, Baby Blue 180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed E. S.P. (Out Of Stock) Quick View E. S.P. (Out Of Stock) Numbered, Limited Edition A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis E. S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E. S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis classic second quintet made together, its also very arguably the groups best. Never before has the effort been experienced in such transformational sound. Pressed at RTI, Mobile Fidelitys 180g 45RPM 2LP set of E. S.P. treats each phrase and every note as sacred communication. This meticulously restored audiophile version renders the musics dynamics, pitch, colors, and textures with lifelike realism and proper scale. Reference-caliber separation, wall-to-wall soundstages, and distinct images magnify the intensity and beauty of Davis and Co. s creations. Whether its the distinctive snap of Tony Williams drum sticks against the snare head, air moving through Davis trumpet, acoustic thrum of Ron Carters bass, or upper register of Herbie Hancocks piano, the sound is better than youd even hear in the most intimate jazz clubs. Prepare to be swayed on every level. For many, E. S.P. looms among the decades best albums if only because of the significance of Davis lineup. While Hancock, Williams, and Carter are holdovers that began playing with one another on 1963s Seven Steps to Heaven, Wayne Shorter functions as the secret weapon and key addition responsible for this ensemble hitting a new peak. Indeed, the saxophonist helped pen two of the seven compositions here notably, E. S.P. is entirely comprised originals and clocked in as one of the longest-running jazz LPs issued at the time and, more importantly, grants Davis the confidence and leeway necessary for the eruption of enigma, steadiness, and tension. As he did with John Coltrane year earlier, Davis hangs back and picks his moments to solo, with Shorter stepping up to supply the churn. Their bandmates respond in kind, itching to take off into new stratospheres all the while keeping their improvisations grounded and connected to the piece at hand. Guided by Davis visions and inspired by current boundary-pushing works by the likes of Ornette Coleman, Cecil Taylor, and Coltrane, the magnificent results spark with variation, harmony, emotion, energy, and brilliant movement. Interlocking lines drive Little One, alternating rhythms pulse through the funky Eighty-One, melodies soar on the balladic Iris, the aptly titled Mood broods over minor-key structures, and Agitation goosed by a two-minute percussive introduction by Williams delivers on its promise. No record and no group of musicians have ever balanced coherent themes and exploratory playing in better fashion than Davis quintet on E. S.P. Its the avant-garde record even jazz traditionalists love, and essential on every level. 1. E. S.P. 2. Eighty-One 3. Little One 4. R. J. 5. Agitation 6. Iris 7. Mood 180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Temporarily out of stock Miles Davis - A Tribute To Jack Johnson Quick View Miles Davis - A Tribute To Jack Johnson Audiophile Reference Sonics: Mobile Fidelity LP Presents Lean, Stripped-Back, and Open Sound With Startling Immediacy and Realism Soundtrack Merges Electric Fusion, Slashing Rock, and Aggressive Funk Via Astounding Lineup: Guitarist John McLaughlin and Trumpeter Davis Turn In Blistering Performances Powerhouse 1971 Album the Greatest Jazz-Rock Record Ever Made The album cover to Trust speaks volumes: Elvis Costello, bathed in shadows, his eyes nervously peering out from behind his sunglasses, his face conveying a combination of edgy noir purpose and guilt-ridden anxiety. Indeed, the tension-rich songs within largely convey the opposite meanings of the records title, with the British icon musing on what lies beyond arrogant youth and immediate success with a jaundiced, scarred perspective informed by his countrys political climate and his own experiences. Miles Davis A Tribune to Jack Johnson is the best jazz-record ever made. Equally inspired by the leaders desire to assemble the greatest rock and roll band you have ever heard as well as his adoration of Johnson, Davis created a hard-hitting set that spills over with excitement, intensity, majesty, and power. Bridging the electric fusion hed pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio. Mobile Fidelitys sterling reissue brings it all to fore with unsurpassed realism. Mastered from the original master tapes and pressed at RTI, this collectable audiophile vinyl version of A Tribute to Jack Johnson joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. The most prominent difference longtime fans will notice is how much more aggressive and immediate the music sounds, aspects central to the composers desires. Amazing degrees of instrumental separation and imaging allow you to focus on singular musicians and the roles they play. Indeed, utilizing wah-wah and distortion, guitarist John McLaughlin comes on here with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson finally cross the divide between rock and jazz. Davis puts both feet in the former camp and permanently erasing any gap. In addition to highlighting McLaughlins ripping performances, Mobile Fidelitys 180g LP showcases the headliners white-hot trumpet solos like never before. Bristling with exuberance, Davis high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and three-dimension bass lines emerge amidst an ink-black background. This title is not eligible for discount. 1. Right Off 2. Yesternow 180 Gram Audiophile Virgin Vinyl LP - Sealed Piano Man Quick View Billy Joels Piano Man established a legend via two elements that became a trademark of his career: simple, yet disarmingly effective lyrics that speak to universal truths and instilled feelings of pathos. With the classic title track, Joel captures the emotions and expectations all of usconsciously or notattach to our favorite musicians: Sing us a song youre the piano manSing us a song tonightWell were all in the mood for a melodyAnd youve got us feeling alright, he croons. Indeed, Joel has everyone feeling good on this breakout set. Never before properly remastered, Mobile Fidelity secured the original master tapes to present this 1973 singer-songwriter masterwork in unparalleled fidelity. The cavity of Joels piano, tension of the strings, and reach of his voice are astounding on this numbered limited-edition LP pressing. The New York native finally seems as if hes playing in your room rather than down the hall. After the commercial failure of his debut, and resulting legal disputes with his label, a determined Joel took up a six month residency as a lounge singer in Los Angeles. The vocalist continued to pen songs, including his signature track, Piano Man, a fictional narrative motivated by the real-life stories and actions of the patrons he witnessed during his cocktail club residency. Joel also drew inspiration from a fellow peer with whom hed ultimately collaborate on a series of highly successful tours that continue to this day: Elton John. The Englishmans Tumbleweed Connection fueled a creative spurt in Joel, who extends the records Western imagery and bluesy themes. Ignoring introspection in favor of rich character sketches, Joel utilizes his knack for melodic flair, filling out the songs with comprehensive arrangements and a swift sense of purpose. His talesThe Ballad of Billy the Kid, Captain Jack, Aint No Crimeare supported with phenomenal harmonies and thematic flavors that arrive courtesy of instrumental accents from first-rate players that include guitarist Larry Carlton, banjoist Fred Heilbrun, and drummer Ron Tutt. Joel supplies the requisite emotions, and Piano Man oozes with life. Mobile Fidelitys 180g LP possesses a warmth that, until now, none of Joels records possess. Soundstaging, imaging, and immediacy are refined and mannered, and the enthusiasm and completeness of Joels craft come into supreme focus. No fan of 70s rock or pop should be without this stellar pressing This title is not eligible for discount. 1. Travelin Prayer 2. Piano Man 3. Aint No Crime 4. Youre My Home 5. The Ballad of Billy the Kid 6.Worse Comes to Worst 7. Stop in Nevada 8. If I Only Had the Words (To Tell You) 9. Somewhere Along the Line 10. Captain Jack 180 Gram Audiophile Virgin Vinyl LP - Sealed In A Silent Way Quick View In A Silent Way Float Into the Ether: Gorgeous 1969 Experimental Treasure Among the Most Atmospheric Jazz Albums Ever Recorded Delicate, Immersing, Dynamic: Mobile Fidelity Reissue Magnifies the Bold Textures, Soothing Ambience, and Transcendent Moods Davis First Fusion Album Features John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Wayne Shorter, Dave Holland, and Tony Williams Sketches of Spain, Kind of Blue, Milestones, Round About Midnight, and Four More Also Available from Mobile Fidelity Shhh. The command to be quiet is no just part of the title of one of the two sprawling compositions on this pioneering album. Its also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis first full-on fusion effort and part of his electric era, the 1969 landmark claims a Whos Who lineup that sends the music into an ethereal stratosphere. Part of Mobile Fidelitys Miles Davis catalog restoration series, In a Silent Way now immerses the listener in lineolate landscapes starlit by the intuition, suspension, and paradoxes wrought by a once-in-a-lifetime collective. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of jazz, rock, and ambience, following a loose theory Davis dubbed New Directions. Few albums are so delicately textured. And on Mobile Fidelitys meticulous analog reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams inventive percussive touchhe causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlightis broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis nocturnal trumpet, Wayne Shorters ribbon-unfurling saxophone, Dave Hollands extrapolative bass, and the mosaic of keys. If the records only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasonsnot the least of which is the seemingly telepathic communicative methods employed by the groups members. The lineup is great on paper, but, if its even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet. Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Coreas Fender Rhodes phrases to Davis decorative spirals. And as color is the primary unit of currency on Davis Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the sets maverick reputation attained via musings on solitude rather than explosions of noise. Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producers could attemptand how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement. This title is not eligible for discount. 1. ShhhPeaceful 2. In a Silent WayIts About That Time 180 Gram Audiophile Virgin Vinyl LP - Sealed Candy-O Quick View How did the Cars move beyond their smash 1978 debut (also available on Mobile Fidelity 180-gram LP) and secure their status as one of musics leading bands for years to come Look no further than the quadruple-platinum Candy-O. Continuing along the streamlined pop paths of its predecessor, the sophomore effort is preoccupied with desirable women that are as mysterious, sexy, and cool as the groups musicand the records pin-up cover. With rare exception, few new-wave artists enjoyed much of a career outside of a one-hit wonder. Candy-O proves the Cars were anything but. Its loaded with minimalist atmospherics, pulsing bass lines, catchy refrains, and labyrinthine synthesizers that stick in your mind for days. And while retaining a simplicity thats a Cars hallmark, the album also takes myriad stylistic detours: the glam-rock accents of Dangerous Type, a song whose title references the records mysterious and lusty matter the percolating riffs of the contagious title track the dizzying garage-rock nature of the upbeat Got a Lot on My Mind, complete with a tooting Farfisa organ. Nothing drags or feels out of place. Through it all, vocalists Benjamin Orr and Ric Ocasek keep their heads about themselves, singing in direct albeit detached tones that convey the tension, excitement, and risky promise inherent in the lyrics. Hook-laced choruses abound. Yet all is not what it seems. Hooks are mechanical by nature, but the affectlessness of these deserves special mention only listeners who consider alienation is the craze a great insight will find much meaning here. On the other hand, only listeners who demand meaning in all things will find this useless. Cold and thin, shiny and hypnotic, its what the Cars do best--rock and roll that is definitely pop without a hint of cuteness. Robert Christgau, The Consumer Guide Half-speed mastered from the original analog tapes, Mobile Fidelitys numbered limited-edition LP brings the Cars distinctive melodies and exotic arrangements to the fore in ways that have never been heard outside of the recording studio. For the first time, Roy Thomas Bakers vocal production shines, with each members contributions rescued from a cold sonic murk that detracted from the musics impact on both vinyl and the extremely compressed CD. Once you hear the newly uncovered dynamics and rich textures, youll be wondering where they were all of these years. Chalk this up as an essential addition to your pop collection. This title is not eligible for discount. 1. Lets Go 2. Since I Held You 3. Its All I Can Do 4. Double Life 5. Shoo Be Doo 6. Candy-O 7. Nightspots 8. You Cant Hold On Too Long 9. Lust for Kicks 10. Got A Lot On My Head 11. Dangerous Type 180 Gram Audiophile Virgin Vinyl LP - Sealed
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